Today sixty is the new twenty-five (Google Christy Brinkley). In 1990 I turned forty-five which was at that time the new thirty-five. So by the time I was thirty-five I was single and searching for Happy again (me + man + my child = Happy.) I had bought a $45K house, which is worth $35K today, in a blue-color neighborhood on the south west side of Indianapolis--sometimes referred to as the armpit of Indy. But it was all I could afford at the time; I didn't want Jason to grow up in an apartment.
The 1,100 square foot house I picked was four doors down from my son's babysitter, and our culdesac was awash with kids. A month after I bought the house, my babysitter spent six hours with Jason in the Emergency Room (he broke his arm jumping out of a tree) and said,
"I can't take it anymore," and quit. I didn't blame her; Jason's energy level was off the charts and ER visits were common. Mrs. Johnson from across the street--ya know, that one house in the neighborhood with tall weeds, unfinished addition, and nine cars in their yard--became my son's before and after school caretaker. Mrs. Johnson was very good to Jason and that was all that mattered.
Life was good for Jason and me in 1990. I had found my way back to the Design Center and had secured the jobs of the two men I had worked for when I started at RCA in 1969 (remember Ray Coates and Paul Myers?). I was the Spec Writer for Color Television and in charge of new color development. RCA's new name was Thomson Multimedia because the French government had bought us and didn't like our name. My job included travel to France (Paris), China, Thailand, Hong Kong, Singapore, Hawaii, and Mexico. I was just one statistics class away from earning my college degree--
Take note, kids: I wouldn't have gotten this job without college--and Jason, if we don't mention his grades at school, was doing wonderfully: well adjusted, happy, funny, smarter than me, cunning, full of mischief. But there was this one itty-bitty thing missing: a man.
Enter Photo Man. He had been hired by RCA--I mean Thomson Multimedia--to take photos of our consumer electronic products, and his constant presence in the Design Center was getting attention from the ladies. Photo Man was very good looking (think Antonio Banderas). He was six foot tall, about 170 solid pounds, black hair pulled back in a ponytail, and hazel eyes. And he was painfully shy and quiet. He was at RCA to do a job and that's what he did. He took the back stairs to avoid any interaction with the employees; he didn't want his presence to be a distraction. But it was. Antionio Banderas can't come to an office full of women and avoid notice.
One day Antonio came into my cubicle to ask if he could use my hands for a photo shoot. I asked if I could bring my body along, too. He laughed and I melted. But Antonio was too good-looking and way too young for me, so I conspired to fix him up with a someone closer to his age and as beautiful a woman as he was a man: my sister, Lynnette. She was coming to town and I put my plan into action. I invited her to lunch and when she walked through the big glass doors of the Design Center, every man within fifty feet stopped to take in the sight. My sister is part Cherokee which means she always has a tan. Her long dark hair was streaked blond, her makeup just accentuated her natural beauty, and she was wearing a long white dress. Wow! Stunning. How could Antonio not fall for my sister? Lynnette and Antonio met but sparks didn't fly. I was confused. They were both gorgeous; why wasn't there any chemistry? Lynnette wasn't interested and, as I soon discovered, neither was Antonio.
Several weeks later, after several more photo shoots using my hands, Antonio asked me to dinner.
Huh? What? Me? You want to go to dinner with me? But...but...but...what about my sister? Of course, I was thinking that. What I said was,
"Yes, I would love to go to dinner with you." At dinner Antonio said he was confused when I tried to fix him up with my sister. He thought I was interested in him the same way he was interested in me, but he must have been wrong. It took him several more weeks to get the nerve to ask me out.
Huh? What? Are you kidding?You're too handsome for me. I was thinking that. What I said was,
"Oh."
A few months after Antonio and I began dating, Wonder Kid, said he wanted me back. But by that time I was able to put our relationship into perspective. I was able to compare the man Antonio was with the man Wonder Kid was, and it made me question why I dated WK in the first place. Why did I go there, and why did I stay there for two years? Why did I walk on eggs for two years trying to keep from breaking the peace that we so rarely enjoyed as a couple. Was it because I was so desperate for a man? Was something better than nothing, even if it was bad? I couldn't answer the
whys back then, and I can't answer them today. You're smart. Maybe after reading my books, you'll know the answer. But, by then it will be too late for me 'cause I'll be long gone.
Antonio was an anomaly. He had the looks of a famous actor, but the demeanor of a librarian. He was quiet and poised and proper and an introvert. He told me his looks were a curse because women thought he was something he wasn't. He didn't want to be admired for the way he looked (he didn't earn his looks); he wanted to respected for what he had done in life, what he had earned by hard work. Bingo! I finally found the man for me, and he wasn't controlling and manipulative and cunning and mentally unstable and evil. But there was just one itty-bitty problem. He was distant and aloof. He wasn't sure about us as a couple. Bingo again. Oh, goody. A challenge. Someone I would have to work hard to earn their love because I didn't deserve it by just being me.
It wasn't that Antonio didn't like me; he liked me a lot, but love would take some time, he said.
"How much time," I wanted to ask but didn't,
"because after a year of dating, I'm in love with you." Here was a good man, with a good job, and solid morals. At forty-six--I mean thirty-six--I was done looking. I had found my Happy. There was just one itty-bitty problem: the letter.
The letter came one day in June, 1994, four years into my relationship with Antonio. We were looking for property and, even though a date hadn't been set yet, we were discussing marriage. The foundation of our love took a very long time to build. With each concrete block that was put into place, I felt more secure with Antonio. He was slow, cautious and very detailed in everything he did; our relationship included, but that just meant we were rock solid. Except for just one itty-bitty problem: that letter.
I opened the letter and within seconds, my legs gave out and I was on the floor. It read,
"My name is Jenna, and I have been in an exclusive relationship with Antonio Banderas, aka Photo Man, for four years." I read on and the letter gave specific details that I had preferred not to know. Surely my shy, quiet, high-moral man wouldn't do those things. But just to confirm my denial, I took the letter to Antonio. As he was reading it, the truth revealed itself. Jenna was telling the truth.
No one should ever underestimate the power of seduction, especially when it comes to sex. Antonio was chased by women the entire time we dated. One woman in particular, Jenna, was the master of seduction. Combine her powers with Antonio's weakness for a woman in distress and the results can be explosive and addictive. She chased him until she got him, but the relationship was strictly sexual, he said. It was me he loved, he said. Would I forgive him? he asked. Would I give him another chance? You know what I said, don't you? I said
yes. And I did forgive him. He was a good man who had done a bad thing.This was not evil; it was weakness. He felt remorse and regret. He deserved a second chance.
Then one day, about a year later, Hindsight tapped me on the ankle and said,
"If he cheated on you once, he'll cheat on you again." And my hindsight was right. I had forgiven him once, but I never, ever forgot, so the second time it happened I turned my back on the tearful admission, the regrets, the "I'm sorry," and walked confidently out the door and down the sidewalk to my car. My love of five years was standing crying at the big picture window with his hands on the glass. His Chow-Chow was next to him; I could hear her whining from the street. With no expression, I got in my car, turned on the ignition and drove away. About a block away I pulled over into a parking lot and cried like I've never cried before.
That was twenty-two years ago, and losing Antonio was a dark and hopeless time for me. I could not imagine life without him. I fell into a depression that lasted months and required Zoloft to free me from the pits. But life, as it has always been and will continue to be, marches on and, good times or bad, we have no choice but to march with it. After Antonio, I made the decision to be done with men. My selection process was flawed and I couldn't, wouldn't go throw another heartbreak. Until, that is, one day my phone rang--a long distance call from Florida. An old friend from the seventies was calling to catch up.